Analyse von Popsongs - ((audio))


Literatur

Adorno, Theodor W. (1929): Schlageranalysen. In: Anbruch. Monatszeitschrift für moderne Musik, Jg. 1929, H. 3, S. 108-114.

Brackett, David (1995): Interpreting popular music. Cambridge: University Press.

Burns, Lori (2000): Analytic Methodologies for Rock Music. Harmonic and Voice-Leading Strategies in Tri Amos's "Crucify". In: Walter Everett 2000, S. 213-244.

Everett, Walter (Hg.) (2000): Expression In Pop-Rock-Music. A Collection Of Critical and Analytical Essays. New York, London: Garland.

Everett, Walter (Hg.) (1999): The Beatles As Musicians I. The Quarry Men through Rubber Soul. Oxford: University Press.

Everett, Walter (Hg.) (2001): The Beatles As Musicians II. Revolver through the Anthology. Oxford: University Press.

Frith, Simon/ Goodwin, A. (Hg.) (1990): On Record. Rock, Pop, and the Written Word. New York : Pantheon.

Hawkins, Stan (2002): Settling the Pop Score. Pop Texts and Identity Politics. Aldershot, Burlington : Ashgate.

Helms, Dietrich: Musikwissenschaftliche Analyse populärer Musik? In: Helmut Rösing, Albrecht Schneider, Martin Pfleiderer (Hg.): Musikwissenschaft und populäre Musik. Versuch einer Bestandsaufnahme. Hamburger Jahrbuch für Musikwissenschaft, Bd.19, Frankfurt am Main: Peter Lang.

Middleton, Richard (1990): Studying popular music. Buckingham: Open University Press.

Middleton, Richard (Hg.) (2000a): Reading Pop. Approaches to textual analysis in popular music. Oxford: University Press.

Middleton, Richard (2000b): Popular Music Analysis and Musicology: Bridging the Gap. In: Middleton 2000a, S.104-121.

Moore, Allan F. (2001): Rock: The Primary Text. Developing a Musicology of Rock. Aldershot, Burlington: Ashgate.

Moore, Allan F. (2003): Analyzing popular music. Cambridge: University Press.

Sanjek, David (1992): Issues of authenticity in the analysis of rock 'n' roll. In: Tracking: Popular Music Studies, vol. 4, no. 2.

Sykes, Charles E. (1992): A Conceptual Model for Analyzing Rhythmic Structure in African American Popular Music. D.M.E., Music Education, Indiana University.

Tagg, Philip (1979): Kojak - 50 Seconds of Television Music. Towards the Analysis of Affekt in Popular Music (Gothenberg).

Tagg, Philip (2000): Analysing Popular Music: Theory, Method, and Practice. In: Middleton 2000, S. 71-103.

Wicke, Peter (2003): Popmusik in der Analyse. In: Acta musicologica, Bd. 75/b1 (2003), S. 107-126.

 

Fundgrube für online-verfügbare Texte: Forschungszentrum Populäre Musik

 

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Analyse von Popsongs

o. N. Bielefeldt | WS 04/05  
S | 5-9 | M:B2/B3 | Mo 10.30-12.00 | 16.207 UC 
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